Forthcoming

"Freeing yourself was one thing; claiming ownership of that freed self was another." author Toni Morrison (1931- 05.08.2019)

“If I tell the story, I control the version. Because if I tell the story, I can make you laugh, and I would rather have you laugh at me than feel sorry for me”; Nora Ephron, author/comedian

"Make your story count". Michelle Obama

"Social pain is understood through the lens of racial animus". Researcher/author Sean McElwee writing in Salon, 2016

"We are citizens, not subjects. We have the right to criticize government without fear."  Chelsea Manning; activist/whisleblower

“My father was a slave and my people died to build this country, and I’m going to stay right here and have a part of it, just like you, And no fascist minded people, like you, will drive me from it. Is that clear?” Paul Robeson; activist/singer

“We have a system of justice in this country that treats you much better if you're rich and guilty than if you're poor and innocent”. from civil rights attorney Bryan Stevenson

“This Fourth of July is yours, not mine. You may rejoice, I must mourn. To drag a man in fetters into the grand illuminated temple of liberty, and call upon him to join you in joyous anthems, were inhuman mockery and sacrilegious irony. Do you mean, citizens, to mock me, by asking me to speak today?” Frederick Douglass, WHAT TO THE SLAVE IS 4TH JULY? 07.05.1852 (full text in blog)

Senator Elizabeth Warren "We're a country that is built on our differences; that is our strength, not our weakness"

 

"We are more alike than we are different"v  Maya Angelou

As a Black writer, I was expected to accept the role of victim. That made it difficult in the beginning to be a writer.      James Baldwin

I often feel that there must have been something that I should’ve done that I didn’t do. But I can’t identify what it is that I didn’t do. That’s the first difficulty. And the second is, what makes you think you’re it?   

         Harry Belafonte, activist and singer at 89

 

It ain't what you don't know that gets you into trouble; It's what you know for sure that just ainst so.

Mark Twain

 

You can't be brave if you've only had wonderful things happen to you.

Mary Tyler Moore

 

 You can’t defend Christianity by being against refugees and other religions

Pope Francis:

 

"I don't have to be what you want me to be". Muhammad Ali

"The Secret of Living Well and Longer: eat half, walk double, laugh triple, and love without measure"  attributed to Tibetan sources

Recent audio posts include interviews with Rumi interpreter Shahram Shiva, London-based author Aamer Hussein, South African Muslim scholar, professor Farid Esack, and Iraqi journalist Nermeen Al-Mufti's brief account of Kirkuk City history. Your comments on our blogs are always welcome.

 

New Arab Women-centered Films Are Not Just About Women

2018-11-08

by Barbara Nimri Aziz

            Too often, we are overwhelmed with woeful tales, painful memoirs and worn analyses of Arab/Muslim women. Most depictions, whether we’re besieged in a war, or if we’re just trying to get by making small advances like women anywhere, we are invariably portrayed as hapless victims. We’re in need of succor, or reform, or rescue.

            Writings by our own talented authors are popular if they reveal  exploitations or despairs or escapes. These feed enlightened sisters abroad who may feel better about themselves when they can pity others.

            So I approach announcements of new releases—both these are from North Africa-- with some apprehension. After screening the productions under review here, my fear dissolves.  

            Tunisia (through the films of Moufida Tlatli ) and Egypt are highly regarded in the film world. Particularly Egypt with its glorious history of filmmaking and its distinguished line of actors proves its mettle in “Youm el-Setat” (A Day for Woman). This playful drama about serious issues becomes heartwarming and totally engaging in the hands of director Kamla Abu Zek.

            Three love stories and women’s eternal search for fulfillness is the focus of “Youm el-Setat”. The plot evolves around a neighborhood pool where a day a week is allocated for girls and ladies. Azza who initially appears simpleminded takes the first plunge. Eventually the whole neighborhood follows her and together they assert their solidarity and their rights. Scenes of their celebratory escapades are delightful; pool frolicking along with street encounters immerses us in that Cairo neighborhood. The story rises above place and religion, beyond covered or uncovered heads. Emerging romances threaded within this drama could happen anywhere.

            Young Azza, it turns out, is not so simpleminded. She’s just naturally liberated! She’s attracts others with her naive joyfulness. Samiya too is a free-thinking woman from the moment we meet her although neighbors initially view her as a sassy whore. Her humor and honesty explode into courage and passion when, finally, she approaches Ahmed, a longtime sweetheart—both are by then middle-aged—to consummate their love. Laila, a forlorn young widow, belatedly joins others in the pool and awakens. Finally she can respond to the tenderness of the likable guy who as pool manager had launched this day for women. (A day for women becomes the ‘time for women’.)

             It’s a film to swim along with.

            “El Jaida” (The Jailer) by Tunisian director and actor Selma Baccar takes an altogether different approach to oppression and women’s determination to be free of patriarchal domination. In contrast with the Egyptian film, “El Jaida” is humorless. The lives of these Tunisian women seem irredeemable. Although defiant, they are an unhappy lot. The injustices they face are manifest in the family, but the story points elsewhere. Drawing on Tunisian historical experience, the film underscores how gender relations and politics intersect.

            The story largely takes place in the 1950s when across the region the anti-colonial movement erupts. The story begins with a well-to-do housewife confronting her husband’s infidelity, then finds herself confined with others in jail. Initially adversaries, after learning each other’s stories, the women come together. While outside the prison’s walls, the nationalist movement to end French rule is gaining strength. The story abruptly shifts 50 years ahead to 2017. The occupiers are gone; so is the dictator. Baja, the film’s main character, has become a member of Tunisia’s new parliament where we find her reading the newly promulgated code establishing women’s equal rights in Tunisian law.

            Both films premier in coming weeks at the New York Diaspora International Film Festival For more than 25 years, ADIFF has been introducing to American audiences a taste of the extraordinary filmmaking talent at work beyond American shores.

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